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Silicon Imaging Digital Cinema Cameras go 3D
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Integrated 3D cinema camera and stereo visualization
system
The SI-3D shoots uncompressed raw imagery from
two synchronized cameras and encodes directly to a
single stereo CineFormRAW QuickTime file, along
with 3D LUT color and convergence metadata
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P+S TECHNIK and IRIDAS partner to provide a universal RAW workflow solution for mobile and stationary applications
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P+S TECHNIK and IRIDAS have teamed up to
integrate a customized version of IRIDAS SpeedGrade
OneBox software with a dedicated hardware platform
to bridge on set and postproduction workflows.
The OneBox provides a comprehensive set of color
grading and finishing capabilities as well as
functionality for data backup and full quality HD-SDI
playout for dailies and tape-based workflows
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da Vinci Launches Professional Services Division
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Led by Jim Mackrell, da Vinci's service marketing
manager, who brings more than 25 years of product
development, technical service, and engineering
management experience to the new role, the new
operation will service and support current and future
da Vinci customers.
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MaxT Systems Sledgehammer HD!O Chosen for Film Restoration at Éclair
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Eclair Laboratoires-a digital post production
company in France-has purchased and installed
three of its Sledgehammer HD!O high-performance
network attached storage (NAS)/realtime HD video
device systems at the heart of its high-volume film
restoration facility.
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Da-Lite and Joe Kane Launch Innovative Projection Screens for Post Production Applications
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The new JKP Affinity Screen series has been
developed specifically for high definition 1080p
projectors featuring the latest in optical technology.
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SAN Solutions to Unveil Crawler Media Verification Engine
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Crawler media verification engine is a stand-alone
appliance that verifies the integrity of assets across an
archive.
In scanning file systems and indexing and verifying
media across a SAN- or NAS-based architecture, the
Crawler confirms the ongoing utility and value of
stored media, and also enables the content owner to
federate storage archives and use a central database
to search all of its media assets.
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Smegtastic! Dave's Red Dwarf Goes Red 4k
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Evolutions, a Soho's post production facility,
completed the post production on the Dave channels
Easter special 'Red Dwarf: Back to Earth'.
The return of the popular programme was shot on the
Red One camera at 4k and contained over 260 vfx
shots making it one of the most advanced and visually
impacting programmes in 2009.
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Kevin Sanders joins Film + Data Design as CTO
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Mr. Sanders is credited with several groundbreaking
technological designs, including Ascent Media's
Digital Media Data Center (DMDC) in Burbank
California; the DMDC is an impressive 100,000
square foot facility and is considered the world's
largest digital media data facility.
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Small Tree Unveils GraniteSTOR ST-RAID
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Direct attached shared storage technology designed
specifically for Final Cut Pro users looking for
economical, functional and easy to manage storage
solutions
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